terabient: Luther in profile, holding a rose (PSO2: Void Luther)
Been thinking about Casra I and Casra II's history a lot lately. The absence of canonical appearances Casra I and sparse statements regarding both characters in-game and in supplemental material means there's a LOT of room to ~go wild~ with speculation and headcanons, and making up stuff based on a few lines of text is my #1 favorite thing to do in fandom! So here’s is my personal timeline for pre-PSO2 Lucasra. please clap

Warnings: underage relationship, psychological manipulation, Luther at his absolute worst

Timeline from Casra II’s conception to AP 220 )

Many thanks if you made it this far! But also: SORRY, I can’t stop yelling about these two (individually AND together) so here’s some Additional Thoughts on pre-PSO2 Lucasra that don’t fit neatly into the timeline format:

  • Since the successors of the Three Heroes take on their predecessor’s name...it’s possible that Casra II has a different birth name. At the same time, I can absolutely see Casra I and Luther having zero originality and just name him Casra II anyway, especially since his “purpose” is set and I doubt Casra II was known to anyone outside Void Apparatus before his placement on the Council (meaning there’s no need to hide the fact that he’s intended to be Casra I’s successor). Also I just find it hard to refer to Casra II as anything besides Casra, lol.

  • Thematically, I think of Lucasra as a bleak inversion/corruption of Luther’s relationship with Hariette. In EP5 Luther understands he has a duty to raise and care for Hariette, and is actually capable of choosing her safety at the cost of his own. Oracle Luther has completely lost these qualities and can only see people as tools to be used. At most he views his creations as extensions of himself or symbols of his brilliance—not individuals with their own wills. So whenever there’s a question on how Luther would treat Casra in a given situation I think “well the exact opposite of how he would treat Hariette.” Gotta live up to the “Fallen” and “Loser” titles, after all.

  • I had some thoughts about Luther taking an interest in Casra’s Draconian research because it potentially offers an alternate path to omniscience through “completing” Terr’yiotr or Kasheena, but it’s not something I’ve fully fleshed out yet. 🫠
terabient: Varuna looks up with a happy smile (PSO2: Varuna smiles)
so with the EP6 Keywords mostly complete, I've been thinking about how some of the things mentioned there are in play in NGS...

- I'm not sure if this is clearer in the JP version, but it seems obvious that Zephetto was looking to make a Vessel of the World/Ultimate Vessel. Pure fighting ability appears to be less of a concern than 909's photon sensitivity (which, at the end of the current story, is 100%, whatever that means.) Which would also imply that the rest of ARKS is unnecessary; he only needs one. Not sure if we'll ever get to know what Zephetto's "third phase" was meant to be, but I feel like the sudden DOLLS invasion across the regions (which afaik has yet to be explained) is just Zephetto trying to wipe out the not-ultimate vessels.

- The scene where the protagonist is infused with photons as the NPCs cheer them on is probably meant to be the Great Light on a small scale (the hopes of everyone on Halpha are channeled through the protagonist). Garoa giving the protag encouragement from beyond the grave makes more sense when you consider that the Great Light at the end of PSO2 was made up of the hopes of everything that had ever lived.

- I don't buy Zephetto's version of history--that ARKS had grown so soft that when a powerful enemy showed up for no apparent reason they just rolled over and died, and once the Starless wiped out 7 star systems they were like "okay that's enough lol" and just--went away???? The Starless, notably, wipe out the ARKS research ships first. My theory (that I came up with in the last two hours lol) is that the ARKS of 500 years ago were attempting to create a new ultimate vessel for whatever reason, and the Starless arose in response to that. I also think it's pretty notable that the Starless only discovered Zephetto's 300 years old Galactic Thunderdome after a being achieved 100% photon sensitivity.

tl;dr: The Starless are out to destroy ultimate vessels specifically, and not mindlessly wiping out the universe as Zephetto asserts.
terabient: Anime-styled profile pic that is kinda, sorta like me (Default)
playing around with the idea that Luther's body-snatching works in the same way as his attempted absorption of Xion in Ep. 2, but on a smaller scale, where he gains whatever knowledge that person had. also perhaps his body hopping not only serves as a means of survival, but is necessary research into eventually absorbing something on the scale of an omniscient being.

The Amduskia Draconians are a race created by Photoners and presumably at the time of PSO2 Ep 1, no one would have known more about them than Luther himself. Yet the Artificial Draconian Project (led? by Casra and Aki) being hiijacked for Luther's purposes suggests they discovered something that Luther was unaware of--not impossible, of course, given that evolution is a thing, and perhaps the creation of Amduskia wasn't really in Luther's area of study as Photoner, so while he may have known more than anyone else on Oracle, it wasn't all encompassing.

this is a very long winded way to say that Casra's approach to research leads him to insights that have eluded Luther for centuries, which would make him an even more appealing candidate as Luther's vessel. It could also explain why Luther seems so keen on using Casra I's body, specifically--not only does he take over the first, Luther planned to mass produce copies of him, essentially making Casra I his "permanent" body--something he doesn't appear to have done before.

anyway i assume Luther always portrayed his eventual body-snatching of Casra II as something good and desirable for both of them, i.e. "Of course Casra would want his existence absorbed into mine, what greater fate could there be???" which would make Casra's suffering even more exquisite. you're welcome 😌
terabient: Anime-styled profile pic that is kinda, sorta like me (Default)


I've been replaying parts of Episode 5 (for my silly gay Casra joining the Guardian's EP5 party AU ) and came across this bit of dialog i'd completely forgotten. What a "Florenberg black hole analysis" actually entails is, of course, never explained, but I enjoy seeing this kind of consistency applied to minor details.

Florenberg is the name of Casra's Cosmogenic Arm and its design (the spiral nautilus shell supporting the spiral galaxy) and unique ability (transferring matter across short distances) suggest that the Photoner Florenberg studied cosmic mathematics. Aurora also mentions their name as one of the Photoner gods, so I imagine their research and importance to the Photoner's universal dominance was significant.

I just think it's really neat when serial storytelling creates a character in this manner--a distinct person whose entire existence is built exclusively through asides like this. Because it leads me to indulgent moments of overthinking like this:

Luther's research is mostly biological in nature. I like the idea of say...Florenberg (the physics researcher and Photoner god) clashing with Luther the biology researcher. With that in mind, consider: Luther giving Casra Florenberg as a weapon becomes loaded with subtext...is Luther delivering a belated, final "fuck u dude" by putting Florenberg into the hands of his pawn and future vessel? Do the remnants of Floren's soul pick up on Casra's unspoken desire to be free of Luther's influence and influence his mastery over the weapon?? Would Casra feel some kind of connection to this person who he knows nothing about, but whose existence touches upon his own in unexpected but meaningful ways??? some Fun Things to think about!

just me free associating from a single line of dialog until i invent new PSO2 lore on a Sunday, very Normal behavior

straws

Mar. 12th, 2023 01:45 pm
terabient: Anime-styled profile pic that is kinda, sorta like me (Default)


did u know....this is the only cutscene where Luther and Varuna are next to each other. i can't even say they speak to each other because they're talking to the Guardian about the kingdoms of Omega. i suppose you could count Luther's additional comments to Varuna's overview as a kind of conversation...

anyway!!! this lack of canon material has not stopped me from imagining an entire years-long secret affair between them......in fact i feel like seeing them stand next to each other makes the appeal clear. like it should be obvious that the hot smug elf prince should smash the grumpy elf knight. that's how the math works obviously.

also it's very funny that the staging makes it look like Varuna is almost Luther's height when in fact he's like 20cm shorter. very nice of Luther to bring a box for his boytoy to stand on while they spout exposition at the Guardian :3
terabient: (PSO2: Varuna concept art)
I've decided to repost some of my fandom rambling from twitter on here. Partly as a record and partly because even short threads quickly become unreadable there (imo) so while the short format requirements (with likes serving as passive feedback/incentive to continue) it's easier to expand and refine things else where, like DW, which has an edit feature. :p

in short: twitter is for the first draft and DW is a combination archive/editing platform, depending on how much--if any--time i want to put into any given thought. anyway,

Japanese number superstitions and symbolism in PSO2: Episode Oracle )
terabient: (PSO2: Varuna concept art)
scattershot observations & thoughts i've had regarding PSO2. Some of this is 'hey here's a neat thing i noticed!' and some of it is "stuff that is not explained or left vague in canon so time to GO WILD with speculation' and some of it is just unquenchable thirst lmao

the player character's title in Ep. 5 )

effects of cosmogenic arms )

i just really love Varuna, okay )

---

i was planning on writing more, but it's late and i have work tomorrow sooooo i'll leave on that note. will probably keep adding bits over the next day or so.
terabient: (PSO2: Varuna concept art)
Some PSO2 things i think about a lot.

Varuna's origins & the Photoner gods )

Luther/Casra I/Casra II stuff )

there were more things i wanted to add, but this took a lot longer to type out than I thought it would ~_~ I may make these kinds of headcanon posts semi-regularly if i can keep up with my regular fic writing.
terabient: Lucio looks behind him (OW: Lucio in Rio)
i figured i might as well start cataloging all of the random stuff that i think up for overwatch. maybe someday i'll work these ideas into a scintillating piece of fan-created fiction! but probably not tbh.

- widowmaker has had a terrible, unrelenting crush on ana ever since they met. like 'oh no i can't believe i didn't realize i was gay until after i got married and met the most incredible woman in the world through my husband's work' level of obsession. it's also the only emotion that carried over from her pre-brainwashing life so basically any time ana is even remotely involved in something widow is one glance away from combusting due to frustration.

ana is aware of this. if you want to know why ana faked her death, 'how do i deal with this amelie issue? maybe i'll just die' is right at the top.

- lucio has a master's level understanding of music theory and is crazy good at math but he has a hard time explaining or writing out what he's doing; a lot of stuff comes to him naturally and he struggles to convey that to others with words (or mathematical equations), so he doesn't.

- sigma unironically thinks doomfist and moira are upstanding members of society based on their public personas as CEO of a cutting-edge prothestics company and Oasis' minister of science, respectively. he totally buys into doomfist's pitch about evolving humanity (akande glosses over the "through conflict" bit, ofc) and that their methods are harsh but a reasonable price to pay for scientific advancement. his feelings on the ethics of research got a bit warped after the whole "subject sigma" treatment.

(i prefer sigma being complicit in his relation with Talon rather than oblivious per his official profile. like damn if putting hyperspheres in people's heads is what you call field research you have to be at least vaguely aware that the people you're working with are Problematic.)

- sigma is a lucio fanboy. there is no way that a man born in today's amsterdam (capital of playing techno in the grocery store) wouldn't recognize a bangin' dance anthem when he hears one. the music of siebren de kupier's youth is an armin van buuren 'a state of trance' cast, he absolutely has lucio's debut album on loop while he unravels the mysteries of the universe in his lab.

i had more but i've lost the motivation to keep writing. tbf, most of my overwatch headcanons are dumb things like "who is most likely to use weed recreationally" or "what terrible EDM subgenre does each character jam to." i'm a very high-brow individual.
terabient: Celica eats Pocky and plays video games (celica: gaming is srs business)
Some weeks ago, a prominent Overwatch streamer, Seagull, released a video titled The State of Overwatch. This video touched upon several topics that had--and continue to be--discussed frequently by the player base over the past year, such as:

-Game balance after the introduction of Brigitte and the increasing dominance of tank/support heavy compositions;
-The ultimate "meta" essentially boiling down to "have more than the other team"
-General feeling of the matchmaker being inadequate, leading to games where teams have multiple players with identical/overlapping hero pools;
-The team nature of the game means that when your team is working well together you feel great, but if you're not you feel helpless and this contributes to toxicity and the urge to blame those around you;
-All of the above combining so that actually playing Overwatch becomes frustrating and unpleasant and ends with players leaving the game altogether

The reaction to the video has been mixed; there's widespread agreement that Overwatch isn't all that fun to play anymore, but no real consensus as to why these issues exist, or on what to do to address them. I'm no different; there are a lot of aspects of Overwatch design, balance, and approach to matchmaking/social features that have bugged me for a long time, some for years at this point, and now seems as good a time as any to voice them.

Sorry, this is going to get...whiny.

Hero balance, why triple tank/triple support is strong, and why supports keep getting nerfed )
terabient: Madoka in profile, her hair waving in the wind (Puella Magi: Madoka)
Something that annoys me about a lot of Puella Magi Madoka Magica analysis: theorizing the whole story (or at least the original series) is one big Faust allegory--specifically, Goethe's adaptation of Faust.

This idea is so prevalent in the PMMM community; it's littered all over the Puella Magi wiki, the annual Anime Boston PMMM panel devotes like, half of the running time to an extensive Homura-as-Faust theory, and...I just don't see it? I admit that 99% of my knowledge of Faust comes from Wikipedia and 1% comes from cultural osmosis and references in other literature, so I'm not exactly the most qualified person when it comes to what is and what isn't a Faust allegory. But one of the most common descriptions about the plot of PMMM is 'Be careful what you wish for/the characters make Faustian bargains' and like...no, that doesn't happen at all??? I'm pretty sure the concept behind a Faustian bargain is that the person making the wish knows the consequences of their wish, but their desire for worldly power is so great they decide to go through with it anyway. The exact opposite happens in PMMM--with the exception of Madoka at the end of the series, none of the girls are aware of what their contracts entail, and their wishes are all made on behalf of others. I suppose Mami is an exception, in that she wishes to survive a fatal car crash, but that wish doesn't display the power-hungry desire that a traditional Faustian wish does.

"There are literally quotes from Goethe's Faust in the backgrounds of some episodes, and there's a witch named Gretchen!" Fair enough, but let's not forget that back in the 90s everyone thought that Neon Genesis Evangelion was heavily based on apocryphal biblical texts, because crosses and Christian names were everywhere. Then Gainax said 'lol we just thought it'd be cool and different.' I suspect that the references to Goethe's Faust in PMMM are quite similar, added for visual flair but nothing deeper than that.

"But isn't Madoka an example of the Eternal Feminine?" It is pretty clear that Madoka's final form/Godoka/the Law of the Cycle is an avatar of mercy, 'pure' (i.e. chaste) love, and hope, concepts that are typically coded as feminine. But that coding is as common in Asian culture as it is in Western culture. Not only that, but the magical girl genre in particular often climaxes with the main character turning--if briefly--into a being whose power comes from hope, mercy, or from the love of their friends; Madoka may fit the idea of the Eternal Feminine but it's through coincidence, not because she's a stand-in for the role of a female character in an influential piece of Western literature.

Finally, given the sheer amount of interviews with the creative team of PMMM--many of which directly ask what influences were baked into the plot of the show--if Faust played anything more than a superficial role, you'd think someone would've said so by now. But Faust never comes up in these interviews. Lovecraft does, various magical girl shows do, but I honestly can't find a direct mention of Faust by any of the Magica Quartet members. And believe me, I have looked. If it's ever come up, it's from something that's never been translated into English.

In short:

-Kyubey's contracts are like the polar opposite of a Faustian bargain
-Quotes from Faust are like Christian crosses in NGE: meaningless
-A Japanese show by Japanese creators for a Japanese audience is more likely to draw from Japanese sources before European ones
-Look, SOMEONE would have said something about it by now

I've never been a big fan of analysis that essentially boils down to 'The characters and plot of this show are stand-ins for the characters and plot of this cultural myth/piece of literature' and in the case of Puella Magi-as-Faust I feel it's particularly strained and ill-fitting. It's a little frustrating that's it's so widespread.
terabient: Anime-styled profile pic that is kinda, sorta like me (Marvel: Thor bookfail)
So a few days ago I got the Accomplice ending in P4G (super late to the party, I know) and I just do not know how to process all these feelings I am having.

word vomit about video game feels under the cut, major spoilers for Persona 4 Golden.

fuck you, Adachi )
terabient: Leanne jumping from a bridge (Resonance of Fate: Leanne Leap of Faith)
The 30 days music meme got me thinking about Serial Experiments Lain again. I was reading through the Wikipedia article to brush up on the plot and while it wasn't especially helpful in that regard, (I still have no idea what the purpose of the K.I.D.S./Cyberia...stuff...was?) it did make me think about some other things.

First, the whole idea the creator had wrt American vs. Japanese audience interpretations...look, I admire his desire to create something with 'distinctly Japanese values' and reject American concepts that were imposed upon Japanese people after WWII. But...the philosophical concepts and technology theories presented in Lain are almost entirely Western in origin, and they aren't presented in a way that challenges their assertions on any level. When you invoke Western ideas without re-interpreting or challenging them, it seems rather naive to assume that an American audience will draw different conclusions from a Japanese audience.

I think Ghost in the Shell (the movies, in particular) is a series that generates different audience reactions more successfully than Lain, and that wasn't even a concern of the creators. (At least, I don't think it was a concern?) American audiences don't interpret the ending of the GiTS movie differently, per se, but the majority of the reviews and analysis miss the very obvious Buddhist underpinnings--I've only read one review that mentions how one of the last scenes with the Puppeteer and Motoko is supposed to be read as a Buddhist wedding/a symbol of Buddhist ideals of transcendence, for example. And I suspect the critical response to Ghost in the Shell: Innocence, which was fairly negative, was partially due to people being unfamiliar with Buddhist/Zen concepts and thus found the movie's philosophical musings as confusing. (Or worse, nonsensical--I do think Innocence was heavy-handed and clumsy in plotting and dialog, but the ideas it was trying to convey aren't nonsense, and I think it's really patronizing that some American critics have called it that.)

...wow, that was some tangent.

Secondly, even though I don't remember much about Lain's plot, I always enjoyed the initial hook, that Lain is just going through her lonely life until a dead person contacts her through the internet Wired. The idea of people dying in the material world and manifesting in the internet is one I really enjoy, and I wish I knew of more books/shows/movies that explore the concept. I've seen Kairo and Pulse (Kairo was pretty good, Pulse was not) a little bit of the .hack series, and pretty much everything connected to Ghost in the Shell--is there any other stuff that people have seen, in any media, that's concerned with people living in the internet, or sentient creations trying to contact/become people in the material world? I'd be interested in seeing it.
terabient: Mami looking at her reflection in her teacup (Puella Magi: Mami Tea)
I FINALLY GOT AROUND TO DOING THIS. I hope it is not too confusing and/or unconvincing.

Cut for Magica Madoka spoilers, long-windedness

Why Madoka is not a deconstruction of the Magical Girl genre )
terabient: Teenage Thor, thinking (Marvel: teen!Thor thoughtful)
I finished RE6's first 3 campaigns a few days ago! It was...a mixed bag as far as entertainment goes. There were some parts that were fantastic and a great many parts that I found boring and a few parts that were pretty rage-quit worthy in their awfulness. All in all, a pretty standard RE experience.

I am not sure why this RE has taken up so much of my brainspace recently, though. I think it's partly due to the uneven quality--the great parts are already some of my favorite in the series, and the shitty parts are some of the worst gameplay experiences I've suffered in years. Also, every single RE discussion and review I've read ends up talking about the series as a whole and the direction video games in general are headed and...there's just a lot to think about.

Not sure how all these thoughts will eventually come out, nor how coherent they will be. When I was playing through the campaigns I tended to go on GameFAQs forums and/or the RE6 tumblr tag and dump all of my thoughts onto the unsuspecting masses there, so I guess I'll just do the same here. :P

Spoilers behind the cut. Also: wall of text that I did not intend to write. I had more opinions than I realized. :S

Chris Chapter 1 )

I realize that most of the RE6 stuff I've posted has been negative, but I genuinely enjoy the game. There's just a lot of boring stuff you have to wade through to get to the good parts.
terabient: Anime-styled profile pic that is kinda, sorta like me (VOMITING RAINBOWS)
You know what really dills my pickle?

Fanfiction writing guides.

What is it that possesses people to write these exercises in futility and uselessness? I swear, every single fic archive I've visited (with the exception of very large, multi-fan archives like ff.net and AO3) feels the need to provide a 'Fanfiction tips' page, usually written by the archive admin or one of its mods, usually with a focus on ideas that just don't work and some simple grammatical guidelines.

This bothers me to no end.

For one thing, nearly all of the grammar rules are listed are limited to the good ol' "Using the wrong your/you're" or "Using the the wrong they're/their/there" which, while helpful, is certainly not the end all of common grammatical errors commonly found in fanfic. I almost never see sections about proper subject/object pronoun use, even though it's just as common an error as the your/you're/they're/their/there confusion. Or there will be a part where the guide writer complains about comma abuse, but will only offer 'don't be afraid of using periods! :Db' as advice. Why not discuss other forms of punctuation, like semi-colons, colons, dashes, and so on? Or the different ways in which a sentence can be structured?

I suspect many of the guide writers don't have a particularly deep grasp on grammar rules in the first place, and harp on the obvious, easy to pick out and easy to correct mistakes because they are not confident about their own knowledge of other rules - or they are not aware of other rules in the first place, so they do not discuss them.

Most annoying of all, sometimes guide writers don't even mention how to correct a mistake. I have read at least two 'guides' that essentially said "Make sure you're using the right form of your/you're/they're/their/there" and THAT WAS IT. No follow up on methods writers can use to determine if they are using the correct word or not. HOW VERY HELPFUL.

Grammar fail aside, what really bothers me about these guides is the oh-so-useful 'how and what to write' sections. Oh, they're never titled 'How and What to Write,' and any guide of this sort is littered with "...but anything can be great if it's written well!" caveats, but let's be honest: for the most part, guide writers aren't writing a guide so much as an extended rant about genres or ideas they don't like.

(Kind of like this post. GO HYPOCRISY!)

Nearly every guide of this sort will 'warn' ficcers away from certain genres, namely crossovers and Mary Sues/Gary Stus/whatthefuckever they're calling poorly written original characters these days. This will be followed by an exhaustive list of why crossover suck (too absurd! confusing! nonsensical! too many plots at once!) and how to tell if your character is a Mary Sue. (purple-hued body parts that have no business being purple! names that sound like a bunch of gemstones scrambled together with fairy dust! can slice, dice and make julienne fries!)

Which...misses the point, somewhat. Knowing what aspects of a genre/character type people find most annoying can be useful, but a 'list of annoying things' is not particularly enlightening. Yes, crossovers are often absurd, confusing, and have too much going on at once, but so do a lot of other fics, in all genres - saying you should avoid the crossover genre completely isn't encouraging or helpful to someone who really, really wants to write a crossover.

As for original characters - frankly, making a list of superficial character traits and declaring that, if your character has none of these traits they are 'good' and some/all of these traits they are 'bad' is not helpful either. PROTIP: people don't like Mary Sues because they're boring and they make the characters around them boring - it's not because they are usually sparkly and lovely. It's not the purple eyes that are the problem, it's the fact that purple eyes are used as the equivalent of painting I'M SPECIAL!!! on your character's forehead. The Mary Sue guides treat the symptoms and not the causes, to make a clumsy metaphor.

These guides end up being counterproductive - they're generally too vague to be helpful, and their tendency to focus on what goes wrong with little attention to what one can do to improve leads people to second-guess themselves without giving them a way to fix their problems. It encourages people to stop writing what they want and what interests them, or to write fearfully. NOT COOL, INTERNETS.

TL;DR: If you are going to write a guide, people of the internets, take the time to write something truly useful, encouraging, and helpful, instead of writing a rant about common fanfic/amateur writing mistakes and labeling it a guide.
terabient: Anime-styled profile pic that is kinda, sorta like me (swing - art by Alvaro Pantoja Busch)
have been thinking about fanfic reviews lately. i don't read communities like [livejournal.com profile] fanficrants or [livejournal.com profile] ffrantrants regularly, but i do check them out from time to time and last month there were a lot of posts regarding reader feedback - what counts as common courtesy, whether or not people ought to comment on fics they add to favorites, if generic "I enjoyed this!" comments count as actual reviews, etc, etc.

I don't write a lot of fanfic reviews. My current signed review count at ff.net stands at 39; I know I've reviewed a few fics when not signed in, and there are a few fics that I've commented on through LJ or some other non-ff.net site. Still, even counting those, I don't think I've written more than 50 comments/reviews for other people's fic since i got involved in fandom, and that was back in...2001 or thereabouts. A pretty poor read-to-review ratio, to be sure.

There are a few reasons for this. The simplest explanation is that (POTENTIAL TMI ALERT) I have mental disorders - hyperlexia and high-functioning autism - that, among other things, make it difficult to a) compose my thoughts in a timely manner, and b) contact someone I don't know without becoming highly agitated - even if that contact is limited to merely leaving a bland comment that, in all likelihood, won't be answered with much more than an equally bland 'thank you.' I have gotten much better at dealing with these issues in recent years, but they still exist, and often I just can't bring myself to deal with them when it comes to fanfic - which is a form of escapism for me, as it is for many people.

Another reason I don't leave reviews that often is the difference between the reviews I'd like to leave and the reviews I actually have the time to write.

Most people, I think, have a sort of 'ideal review' they'd like to receive - a review that is not just praise or a desire to see more, but also points out the parts of the fic that worked, and what did not, how various scenes made the reader react, and, if applicable, a gentle pointing out of various errors. I try, as much as possible, to leave this kind of review - if someone's fic has left a strong impression on me, I think the author deserves a thoughtful, articulate review.

Unfortunately, leaving reviews like this take a great deal of time and effort. It requires a reader to really look at what they've read and consider the actual construction of said reading, in order to identify how and why they have reacted in the way they have. It requires a reader to think hard about how to express him/herself, so that his/her review is as understandable as possible. This is time-consuming and can be difficult for anyone. So, instead of leaving the review I'd like to (which would take time I don't always have, and effort I don't always want to exert) I end up leaving nothing at all.

Also, the 'ideal review' as defined above is, well, my idea of the perfect review. It is not the ideal review for every fic writer. (Although, I would think many fic writers do want that kind of review.) People write fic for all sorts of reasons, and not everyone is writing fic with the intent or desire to become a 'better writer,' per se - they may be writing simply because they see it as a fun way to participate in fandom, and treat fic writing more like a...fan communication vehicle - or maybe they are writing original work and are receiving much more sophisticated critique from others, and are not interested in critique on writing that they do for personal pleasure. In these cases - and I've seen both them, though they aren't especially common - leaving an in-depth review would not be welcome. Perhaps the author's reaction shouldn't influence whether or not I should leave a review, but it does. If I suspect an author isn't interested in certain kinds of reviews or reader observations, then I won't leave one.

Still, I do think I should try to leave some sort of comment on fics more often. Even if it's just a "Thanks for writing, I really enjoyed this," and not the in-depth critique many fic authors claim to hunger for...these 'yay!' comments can't be unwelcome by the vast majority of writers.

So. I guess I should get to leaving happy comments everywhere~

(slightly related - am I the only one who actually prefers a favorite, with no accompanying comment, to a generic 'thanks!' comment on ff.net? i have seen this rant pop up multiple times and it baffles me still.)
terabient: Anime-styled profile pic that is kinda, sorta like me (Default)
Have seen this being mentioned elsewhere, but:

There is a new fanfiction archive site, Archive of Our Own. Currently it's invitation only but right now, the site's in open beta so you can easily apply for an invite.

The site is run by fans for fans, and as a result there are not many restrictions on what sort of content can be posted. The management is also very communicative so if you come across problems or have questions about what you ought to be allowed to post you can speak with the people in charge directly.

It also allows users to import their work from other sites (as in, you can import stuff you've already posted to LJ to AO3, without having to reformat anything) and...actually there are lots of features that look really cool but i have no idea how they work yet because i've only been a user for an hour XD

BASICALLY: AO3 seems like a pretty neat fic site, and I encourage anyone who posts fic regularly (or irregularly...or at all...) to check it out and join if you like it!

plus i don't want to be all alone in posting fic about vaguely obscure/small video game fandoms... ^^;

my profile is here. I don't have anything up there yet, though. XD
terabient: Anime-styled profile pic that is kinda, sorta like me (flower girl - art by Alvaro Pantoja Busc)
been browsing [livejournal.com profile] springkink's recently opened prompt list. i haven't claimed anything yet, but there are a few i'm considering. Might take a few FFVI ones, (there's a Terra/Celes prompt, but the one that really caught my eye was Cyan/Terra, because i have considered it before and thought i was the only one in the world who thought they ought to have some kind of relationship) a Skies of Arcadia Vyse/Aika/Fina OT3 prompt, only i have not written for Skies since i was like, 17 and haven't been involved in the nearly non-existent fandom since college, and i question my ability to write it now, and maybe, maybe a FFXII Ashe/Penelo prompt because i really like the pairing, but i've been trying for over a month to write Ashe/Penelo and IT IS NOT WORKING OUT. :(

there's also one Soulcalibur prompt - Raphael/Ivy (!) that i would really, really like to do but someone has already claimed it, which is awesome on one hand because hey, new fic to look forward to, but dammit, it's a really fun prompt and OH GOD I WANT TO WRITE IT SO MUCH NOW. [livejournal.com profile] springkink allows multiple claims, but still, i'd feel weird claiming something somebody's already taken.

...i might just go ahead and take it anyway.

***

and a fic questionnaire because...i can.

what do you think about your own fic? )
terabient: Anime-styled profile pic that is kinda, sorta like me (swing - art by Alvaro Pantoja Busch)
i went to work this week! I HAVE NEVER BEEN SO GLAD TO CHANGE A CATHETER BAG.

but that's not what this post is about. it is about the WRITING PROCESS, mine, specifically, and as such it's probably WAY BORING for anyone who is not me. so, disregard, unless you really enjoy reading other people's thoughts on their silly fic writing...?

judging your own writing )

ANYWAY. after that WAAAAAAMbulance ride, an old but still fun link as a cookie: Every Fanfic Ever Written

my favorite is the songfic. "I hurt people with my perceived depth." GOLD.

(also fun: finding out which fanfic you are writing OVER AND OVER. i am pretty sure everything i've done qualifies as "angstfest.")

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